Friday, June 11, 2010

Northwest Coast Indian Painting: House Fronts and Interior Screens

Northwest Coast Indian Painting: House Fronts and Interior Screens Review



First, it is a mystery to me why this title doesn't appear from search words "Tlingit, Haida or Salish" since its content goes far beyond Indian Painting/art. While Indian painting, specifically house fronts and interior screens (dying arts enjoying a resurgence) are extremely well covered and illustrated in this book Malin adeptly intertwines culture, geography and history which makes these art forms come alive and take on meaning beyond 'art for art's sake.' This book could have been complete with just the 120 pages of fantastic color and black and white picture and illustrations -- that combined with 160 pages detailing and clearly explaining geography, culture and cultural influences and historical information relating to the Northwest Coast tribes of Alaska and Canada (Tlingit, Haida, Tsimshian, Tsimshian, Bella Coola, Kwakiutl, Salish and Nuu chaa nulth) make this a "must" for anyone interested in these tribes -- either in their art or culture and history! Art was integral to the daily life of these natives...tools made and used for daily subsistence and living were artistically fashioned using the crests "owned" by each clan. Social rank and wealth were at the heart of exterior house painting and interior screens. The author's 55 year fascination with the tribes of the northwest coast is clearly evident in this book. The fascinating but nearly extinct native tradition of monumental house art in Alaska is richly documented in this sumptuous book. Through rare historical photographs and his own stunning renderings in vivid color, pioneering anthropologist Edward Malin captures the vanishing riches of Northwest Coast house front paintings and interior screen partitions. With abiding respect and wonder, Malin considers every aspect of the works and explores the ways of the Tlingit, Coast Tsimshian, Haida, Northern Kwakiutl, Southern Kwakiutl (Kwakwaka’wakw), Bella Coola (Nuxalk), Nuu chaa nulth, and the communities that nurtured them. For all admirers of native art, this book is an essential reference and thoughtful, in-depth guide.


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